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STAGE 3 THE FACE
I move on to painting his head,
this time with slightly cooler
flesh tones. I start distributing
saturated dark and then flesh it
all out with a wet-on-wet
technique to better control edges
and textures.
STAGE 4 THE BODY
I use the same process for the body. I’m looking for correct values in larger areas in order
to slowly create a sense of volume. I finish each section in one sitting, so as to work wet on wet.
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Theo Felizzola.indd 62 6/22/16 11:11 AM
