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STAGE 1 COMPOSITION
The reference photo is rectangular. I find
that a square format is preferable. It
imparts more power to the composition.
Besides, if you consider the bolducs and
their reflection on the gold paper foil, you
will notice that this forms a square within
a square, a dream composition—the most
compact and strongest you could imagine.
I use a sheet of pastel card mounted
on a 22-by-22-inch MDF panel. I trace the
outline with a hard white pastel pencil.
Since the drawing is relatively easy to
do, I do not resort to any grid system or
projection, which I usually use for pictures
that are more complex.

STAGE 2 VALUE DRAWING
This stage is pivotal as it corresponds to the correctly balanced. The drawing is solidified I feel confident and encouraged to forge
very fundament of the painting. This is a through the indication of values. Now I have ahead in search of the maximum brilliance.
complete drawing concentrating on values. an invaluable value map guiding me during This drawing is a road map helping me
I use a carbon pencil and start with the the following steps. Thanks to the hardness to add the color layers on the right spot
darkest darks. Then I draw the intermediate of the pencils, the drawing will be fully without having to resort constantly to
nuances. Same thing with the white pencil; compatible with the subsequent colored the reference photo. Values are clearly
I start with the lightest lights and continue layers. No need to spray any pastel fixative. indicated. Although such a preparatory Continued
with the softer lights. This important step gives an overall idea of value sketch is not necessary, I find this
By squinting I check whether the values are what the final painting will look like. Now saves time in the end.

Pastel Demonstration 119

FrancoisMalnati.indd 119 6/22/16 11:21 AM