Page 79 - Winter Issue
P. 79

How has living in Sicily shaped your artistic style and choice of symbolism? Are there specific aspects of
             the region that inspire you creatively?
             Surely  living  in  Sicily,  thanks  to  its  human  and  artistic  story,  due  to  developed  my  expressive  world  and
             contributed  to  the  use  more  brighter  tones,  especially  in  my  most  recent  artworks.  In  my  works,  I've  got
             inspiration also from the symbolism of Neolithic Matriarchal cultures present in the Mediterranean territories and
             connected  to  the  Mother  Goddesses  cults,  represented  as  frogs,  doe,  pigs,  snakes,  eagles,  and  many  more
             creatures. The most known symbol of Sicilian mythology is Medusa, the personification of the woman-monster
             with the power to petrify everyone who looks at her eyes. She's, in reality, the representation of the independent
             woman with the power to give life; this power terrorizes the man who tries to exorcise this fear. Medusa has a
             head  full  of  snakes,  surely  a  reference  to  the  ancient  cults  of  the  Goddess  Mother  in  Ancient  Europe.  In  the
             Neolithic period, snakes were a symbol of regeneration due to their capacity to change skin.
             With your works exhibited and published internationally, how do you feel viewers from different cultures
             interpret your symbolic use of animals and insects?
             I hope that nobody’s feeling offended due to some subjects that are represented in my works. Usually who see
             these pictures appreciate this imaginary figurative world and I hope that through them can be more curious and
             comprehend especially for the animal world.
             What new subjects or themes are you interested in exploring in the future, and do you foresee any shifts
             in your approach or technique?
             My art research will keep going for sure and it will be dedicated to the hybrid animals and the elephants. I want to
             evolve  it.  I  want  to  keep  taking  inspiration  from  outsider  art,  especially  the  ones  connected  to  my  territory.  Finally,
             besides painting and drawing, I would to experiment also other art approaches such as sensory and more participative
             by the public through art forms such as artists’ books or sticker’s art.

                                                           The dinoplant - Markers,watercolors and bic pens on paper, 25x35cm, 2024










































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