Page 74 - Winter Issue

Your art is deeply connected to your Jamaican ancestry and Rastafarian culture. How did these cultural
roots initially influence your choice to pursue art, and how do they continue to shape your work?
My Jamaican heritage, intertwined with the spirit of Rastafari and the resonant power of Reggae ‘Resistance’ music, has
been a profound source of inspiration and joy. From an early age, I was drawn to the vivid visual language of Reggae
album covers, Sound System flyers, and the evocative illustrations of Rasta artist Ras Daniel. The lyrical messages
embedded within the music continue to be a guiding force, shaping the narrative and conceptual frameworks of my
artistic journey.
Could you describe your creative process for weaving music, textiles, and storytelling into a cohesive
artwork? How do you choose which elements to combine?
My creative choices emerge through a process of experimentation, guided by the narrative and core ideas that initially
inspire me. I begin by establishing sketches, notes, and decisions on a scale, then consider how each element aligns
within the composition. In my textile work, composition is determined as the final step, contrasting with painting, where
structure is established from the onset.
In your recent commission for The World Reimagined project, ‘Stolen Legacy: Rebirth of a Nation,’ you
addressed complex historical themes. What impact do you hope this public artwork will have in Leeds?
My hope is that this work will empower the people of Leeds to uphold the quest for racial equality and justice, offering a
vehicle for education on Britain’s intertwined histories with Africa and Jamaica, and the enduring legacy of African
enslavement. It is intended as a catalyst for awareness, liberation, and unity.
Winning awards like the Edna Lumb Travel Scholarship and the Black Achievers Award speaks to your
impact on community arts. What have these recognitions meant for you personally and professionally?
These accolades have both honored and motivated me, inspiring emerging artists within the Black Diaspora to pursue
their paths with confidence. Professionally, these awards have reinforced my identity and recognition as a Rastafari
artist, creating a platform for my work to be viewed with seriousness and respect.

74 Frontline Chapeltown Power - Mixed media textile, 1x1.5m, 2024