Page 30 - 9781909825086_interior_cover.indd
P. 30

Philippa Beale
                                                                                                                                 Born 1946
                                                                                                                                 Lives and works in La Roche de Bord, France
                                                                                                                                 www.philippabeale.com

                                                                                                                                 Philippa Beale was born and raised in the Hampshire countryside
                                                                                                                                 and knows that the view which takes our breath away and most
                                                                                                                                 of  what  we  perceive  to  be  ‘natural’,  is  in  fact  managed  for
                                                                                                                                 pragmatic  and  profi table  reasons.  There  are  different  types  of
                                                                                                                                 woodland, crops for fuel or sawmills or grown as wind breaks and
                                                                                                                                 for  hunting;  all  are  wild-life  preserves.  Many  who  now  object  to
                                                                                                                                 hunting  would  not  be  able  to  walk  under  the  greenwood  trees
                                                                                                                                 without  the  ancient  huntsman  who  planted  them.  Without  land
                                                                                                                                 management, the rural landscape painter would have nothing to
                                                                                                                                 draw or to create from.
                                                                                                                                 Living  in  London,  Beale’s  artistic  concerns  were  mainly  political
                                                                                                                                 and sociological. Now living in the country, opposite a lake and
                                                                                                                                 a grove of trees with a river at the bottom of her garden, she has
                                                                                                                                 become a landscape painter in the tradition of English landscape
                                                                                                                                 artists like Edward Arthur Wilson, Paul Nash and Samuel Palmer.
                                                                                                                                 Many years ago, Beale was taught by the etcher Paul Drury who
                                                                                                                                 posited that the pastoral landscape was in the blood of all English
                                                                                                                                 artist’s and given the opportunity and the right views, we couldn’t
                                                                                                                                 help but record it.
                                                                                                                                 Autumn  in  the  Hunting  Wood  started  from  small  pen  and  ink
                                                                                                                                 drawings, which were then scanned and coloured in Photoshop
                                                                                                                                 and printed in archival ink onto canvas. The image is then over
                                                                                                                                 painted in oil but not coloured in, resulting in a multi-dimensional
                                                                                                                                 image preserving areas of luminosity.
                                                                                                                                 Hog’s  Back,  Hampshire  was  infl uenced  by  the  Canadian
                                                                                                                                 Landscape  Painters  of  the  19th  century  who,  because  the  light
                                                                                                                                 was so bright, saw and therefore used pure colour. Once in a while
                                                                                                                                 in England from a high vantage point, one sees this kind of colour
                                                                                                                                 and  for a short while, particularly in early  evening these colours
                                                                                                                                 are true.
                                                                                                                                 PHILIPPA  BEALE  studied  at  Winchester  School  of  Art,  University  of  Reading,
                                                                                                                                 Goldsmith's College and was the fi rst Artist in Residence at Southampton City
                                                                                                                                 Art Gallery funded by The Arts Council of Great Britain. Beale has exhibited
                                                                                                                                 across  the  UK,  Europe  and  the  USA.  Solo  exhibitions  include;  The  Angela
                                                                                                                                 Flowers  Gallery,  Camden  Arts  Centre,  The  Akumulatory  Gallery,  Poland,
                                                                                                                                 Southampton City Art Gallery and Les Cloîtres Gallery, Poitiers France. Blue
                                                                                                                                 Bird and Other Stories, LCC Galleries, University of the Arts London.
                                                                                                                                 Top left: Autumn in the Hunting Wood, 2013,
                                                                                                                                 Oil on Canvas Digital Grisaille.
                                                                                                                                 h: 50cm w: 40cm d: 10cm, Artist’s Collection.
                                                                                                                                 Photograph Credit: Christopher Plato
                                                                                                                                 Left: Hog’s Back, Hampshire, 2012, Acrylic on Canvas.
                                                                                                                                 h: 150cm w: 100cm d: 10cm, Artist’s Collection.
                                                                                                                                 Photograph Credit: Christopher Plato
                                                                                                                                 Right: The Time of Cyclamen, 2013, Oil on Canvas.
                                                                                                                                 h: 75cm w: 44cm d: 10cm, Private Collection (Madame Barbara Walsh)
                                                                                                                                 Photograph Credit: Christopher Plato













           30                                                                                                                                                                                                               31
   25   26   27   28   29   30   31   32   33   34   35