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Philippa Beale
              Born 1946
              Lives and works in La Roche de Bord, France
              www.philippabeale.com

              Philippa Beale was born and raised in the Hampshire countryside
              and knows that the view which takes our breath away and most
              of  what  we  perceive  to  be  ‘natural’,  is  in  fact  managed  for
              pragmatic  and  profi table  reasons.  There  are  different  types  of
              woodland, crops for fuel or sawmills or grown as wind breaks and
              for  hunting;  all  are  wild-life  preserves.  Many  who  now  object  to
              hunting  would  not  be  able  to  walk  under  the  greenwood  trees
              without  the  ancient  huntsman  who  planted  them.  Without  land
              management, the rural landscape painter would have nothing to
              draw or to create from.
              Living  in  London,  Beale’s  artistic  concerns  were  mainly  political
              and sociological. Now living in the country, opposite a lake and
              a grove of trees with a river at the bottom of her garden, she has
              become a landscape painter in the tradition of English landscape
              artists like Edward Arthur Wilson, Paul Nash and Samuel Palmer.
              Many years ago, Beale was taught by the etcher Paul Drury who
              posited that the pastoral landscape was in the blood of all English
              artist’s and given the opportunity and the right views, we couldn’t
              help but record it.
              Autumn  in  the  Hunting  Wood  started  from  small  pen  and  ink
              drawings, which were then scanned and coloured in Photoshop
              and printed in archival ink onto canvas. The image is then over
              painted in oil but not coloured in, resulting in a multi-dimensional
              image preserving areas of luminosity.
              Hog’s  Back,  Hampshire  was  infl uenced  by  the  Canadian
              Landscape  Painters  of  the  19th  century  who,  because  the  light
              was so bright, saw and therefore used pure colour. Once in a while
              in England from a high vantage point, one sees this kind of colour
              and for a short while,  particularly  in early  evening these colours
              are true.
              PHILIPPA  BEALE  studied  at  Winchester  School  of  Art,  University  of  Reading,
              Goldsmith's College and was the fi rst Artist in Residence at Southampton City
              Art Gallery funded by The Arts Council of Great Britain. Beale has exhibited
              across  the  UK,  Europe  and  the  USA.  Solo  exhibitions  include;  The  Angela
              Flowers  Gallery,  Camden  Arts  Centre,  The  Akumulatory  Gallery,  Poland,
              Southampton City Art Gallery and Les Cloîtres Gallery, Poitiers France. Blue
              Bird and Other Stories, LCC Galleries, University of the Arts London.
              Top left: Autumn in the Hunting Wood, 2013,
              Oil on Canvas Digital Grisaille.
              h: 50cm w: 40cm d: 10cm, Artist’s Collection.
              Photograph Credit: Christopher Plato
              Left: Hog’s Back, Hampshire, 2012, Acrylic on Canvas.
              h: 150cm w: 100cm d: 10cm, Artist’s Collection.
              Photograph Credit: Christopher Plato
              Right: The Time of Cyclamen, 2013, Oil on Canvas.
              h: 75cm w: 44cm d: 10cm, Private Collection (Madame Barbara Walsh)
              Photograph Credit: Christopher Plato













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