Page 123 - Winter Issue

Your work is deeply inspired by the Daoist concept of "non-being" as a creative force. What led you to
explore this philosophy in ceramics, and how has it shaped your perspective as an artist?
My exploration of "non-being" in Daoist philosophy stems from a deep resonance with its principles. In Laozi’s teachings,
"non-being" is not simply emptiness but an origin filled with infinite potential. Through ceramics, I strive to convey this
life force that is invisible yet vibrant, revealing the cyclical relationship between life and nature. This philosophy has
shifted my artistic focus beyond mere form, encouraging me to delve into the unseen essence within each piece.
Can you walk us through your process of translating an intangible concept like "non-being" into physical
ceramic forms? How do you envision "non-being" as you start creating?
When translating "non-being" into physical form, I begin with the idea of visualizing an invisible energy. I use fluid glazes,
irregular lines, and negative space to capture the infinite possibilities "non-being" embodies. As I start creating, I envision
"non-being" as a latent life force, unfolding naturally through the flowing glaze and evolving shapes, inviting viewers to
experience an energy that is hidden yet very much alive.
How do glass and ceramics complement each other in your work? What do you find intriguing about
combining these mediums to express philosophical ideas?
The combination of glass and ceramics allows me to create a unique dialogue between the visible and the invisible.
Ceramics has a solid, grounded quality, while glass, with its transparency and fluidity, suggests the formless nature of
"non-being." Together, they represent a visual metaphor for the relationship between "non-being" and "being," creating
a harmonious balance that allows viewers to sense the presence of energy within emptiness.
Eternal Flux: The Dao of Becoming Infinite Origin
Porcelain. & glaze, 80x20x17cm, 2024 Porcelain & glaze, 58x16x15cm, 2024

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