Page 119 - Winter Issue
P. 119
Your participation in events like the Interior Design Show in Vancouver showcases your vision in both art
and design. How do you approach blending these fields, and do you see one informing the other?
This question is challenging for me, as I'm not sure whether I can separate these fields given my dual backgrounds in
science and art. They are intertwined, serving as fundamental creative visual elements that enhance my communication
and expression.
As technology advances, how do you envision it transforming public interaction with art? Are there
specific digital tools or methods you’re excited to experiment with in the near future?
From my perspective, the boundaries between different types of art will blur as technology continues to evolve, allowing
for a more intimate interaction between the audience and art exhibitions. Virtual exhibitions may herald a new era of
digital arts, offering immersive experiences and mixed-reality interactions that embrace diversity. I am particularly
excited about experimenting with augmented reality (AR) and virtual reality (VR) tools, as they have the potential to
create dynamic environments where viewers can engage with art in innovative ways, fostering deeper connections and a
more expansive understanding of artistic expression.
Co-Fusion
Ceramic
21.5x11x16cm, 2024
In an era where artificial intelligence, social media, and mobile devices dominate our daily lives, we witness the tension between technological
advancement and the fading of traditional practices. Society resembles a metabolic process, consuming intrinsic, learned, and inherited elements
to propel growth. The journey begins with a single primitive line, representing the limitless potential of new beginnings. From this singular point,
paths diverge, shaped by both physical and non-physical environments. Rooted in a mathematical and rational framework, my approach employs
computational design methods to create a series of geometric forms that vary in height, shape, deflection, and orientation based on specific input
parameters. The culminating work features an evolving container, tracing a visual narrative from origin to form. It embodies a fusion of static
existence and dynamic emergence, serving as a metaphor for the continuous metabolism of society. "Co-Fusion" invites viewers to reflect on the
interplay of tradition and technology in their lives, emphasizing the beauty of transformation and the interconnectedness of our experiences.
119