Page 122 - Winter Issue
P. 122
Yixue Yang’s practice delves into the profound Daoist concept of "non-being" (Wu) as a generative
force in the universe. In Daoist philosophy, "Tao" emerges from "non-being," a state not of emptiness
but of boundless potential, where all things originate in their most formless and latent state. Yixue's
ceramic works are a visual manifestation of this unseen energy, inviting contemplation on the
intangible forces that give rise to existence. Her approach is threefold: she crafts tangible forms that
evoke an alternate reality, where "non-being" resides; she employs negative space as a metaphor for
the hidden power within all things; and she explores the temporal nature of clay to reflect the cyclical
transformation between "non-being" and "being." Through her work, Yixue prompts us to consider
the unseen rhythms that shape our material world, revealing the delicate interplay between absence
and presence, potential and reality.
Eternal Flux
Porcelain & glaze,
75x32x26cm, 2024
This artwork, with its flowing curves and blue-green glaze, captures the fluidity of water and the continuity of nature. Laozi's concept of "Wu"
emphasizes that all things originate from formless potential, containing infinite possibilities for change. The curves and gradient colors in the
piece symbolize the invisible force and transformative nature of "Wu." The ever-changing yet harmonious flow of water embodies the essence of
"Wu." The piece conveys a dynamic balance, representing the continuity and transformation of life, aligning with Laozi's idea that "from non-being
comes being." Through its visual expression, the artwork reveals that all things stem from formless energy and potential, prompting deeper
reflection on the infinite changes and inner vitality of nature.
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