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Bottles & Jars 18c, 2015, monotype, 17½ x 24½" (44 x 62 cm). This is the monotype used as a reference.





        Peri Schwartz adding the final stages of the drypoint to the key plate.
                                                         says, “He is reacting to how my brushstrokes
                                                         look. It’s as if I have a coach encouraging me
                                                         to keep going—‘You’re doing great, that’s a
                                                         gorgeous puddle of acid,’ or, ‘You need to
                                                         redo that.’” Burnet then cleaned the plate
                                                         and took another proof. This yielded a
                                                         strong black plate with beautiful tones and
                                                         the composition in place.

                                                         3. Work began on the second plate with
                                                         tracing the composition onto the plate. Now
                                                         Schwartz was only working on applying the
                                                         yellow/orange parts of the image. Again,
                                                         Burnet coached her on where to apply acid.
                                                         At the end of the process, they were ready for
                                                         another proof, combining the existing black   Continued
                                                         with a new yellow pass. This same procedure
                                                         was done for a red and a green/blue plate.
        Detail of black plate with drypoint, spit bite and sugar lift.

                                                                          Creating a Print  47


   Daniel Maidman.indd   47                                                       6/29/16   11:50 AM
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