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Bruce Williams
                                                                                                                                 Born 1951
                                                                                                                                 Lives and works in St Leonards on Sea, UK
                                                                                                                                 www.saatchionline.com/brucewilliams

                                                                                                                                 Bruce  Williams  is  a  fi gurative,  expressionist
                                                                                                                                 painter  who  is  constantly  at  odds  with
                                                                                                                                 creating  the  pictorial  image.  Primarily
                                                                                                                                 interested  in  the  artistic  process  as  a
                                                                                                                                 learning  experience,  he  uses  large  sash
                                                                                                                                 brushes  to  create  bold  paintings  with  an
                                                                                                                                 intensity and depth that can surprise both
                                                                                                                                 the  onlooker  and  artist.  A  wide  range
                                                                                                                                 of  subjects  are  explored  that  ultimately
                                                                                                                                 invite the viewer to move in and out of the
                                                                                                                                 artwork  in  search  of  shape  and  salience
                                                                                                                                 amidst complex ambiguity.
                                                                                                                                 Infl uenced by artist’s such as Kossoff, Bacon
                                                                                                                                 and  Chaim  Soutine,  Williams  constantly
                                                                                                                                 scrapes  back  the  painting  in  a  chaotic
                                                                                                                                 free  reign  of  risk  and  chance,  sometimes
                                                                                                                                 involving  a  change  of  medium,  in  an
                                                                                                                                 anxious search for truth, value, and matter
                                                                                                                                 of  fact.  The  paintings  acquire  layers  of
                                                                                                                                 ‘skin’  in  a  long  process  that  fi nally  gains
                                                                                                                                 more  structure  as  Williams  stretches
                                                                                                                                 the  materiality  of  the  paint,  pushing  on
                                                                                                                                 through  to  arrive  at  an  intricate  and
                                                                                                                                 intense point of aesthetic communication.
                                                                                                                                 Williams comments:
                                                                                                                                 “It is like the struggle with faith, something
                                                                                                                                 we  can’t  see  or  touch  yet  nevertheless
                                                                                                                                 sense is there.”
                                                                                                                                 Williams paints a diverse range of everyday
                                                                                                                                 objects  such  as  a  child’s  swing,  a  ladder,
                                                                                                                                 a  chicken  brought  home  unplucked  from
                                                                                                                                 the market, two garden bins, a self-portrait.
                                                                                                                                 He  does  not  see  himself  as  an  abstract
                                                                                                                                 artist, but rather as a part traditional, part
                                                                                                                                 contemporary,   fi gurative,   expressionist
                                                                                                                                 painter.  His  paintings  subject  matter  is
                                                                                                                                 directly  confronted  in  a  process  to  either
                                                                                                                                 create,  or  locate  and  uncover,  some
                                                                                                                                 special aspect that allows it to be seen in a
                                                                                                                                 new and exciting way.
                                                                                                                                 BRUCE  WILLIAMS  has  participated  in  a  number
                                                                                                                                 of group and solo shows across the South East of
                                                                                                                                 England, both in Hastings and London.

                                                                                                                                 Right: Flowers in Orange Pot, 2011, Oil on Canvas.
                                                                                                                                 h: 102cm w: 76cm d: 4cm, Artist’s Collection.
                                                                                                                                 Left: Reclining Man, 2011, Oil on Canvas.
                                                                                                                                 h: 151cm w: 151cm d: 4cm, Artist’s Collection.













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