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Jean Gillespie
                                                                                                                                 Born 1951
                                                                                                                                 Lives and works in Edinburgh, UK
                                                                                                                                 www.jeangillespie.com

                                                                                                                                 Jean Gillespie’s portraits are infl uenced by both the
                                                                                                                                 character of the sitter and the colours and textures
                                                                                                                                 of the surrounding landscape and seascape. She
                                                                                                                                 attempts to show how the sitter refl ects the colours
                                                                                                                                 and textures of their surroundings.
                                                                                                                                 Preferring  to  talk  to  the  sitter  and  get  to  know
                                                                                                                                 them  before  starting  the  painting,  she  produces
                                                                                                                                 numerous  drawings  of  them  and,  if  appropriate,
                                                                                                                                 of  where  they  live  or  work.  Getting  to  know  their
                                                                                                                                 stories means that she can add layers and depth
                                                                                                                                 to the fi nal painting.
                                                                                                                                 Gillespie  uses  a  palette  knife  or  sticks,  sometimes
                                                                                                                                 printing  objects  into  the  paint;  in  fact  anything
                                                                                                                                 she thinks will help her to achieve the effect that
                                                                                                                                 expresses something essential about the character
                                                                                                                                 of the sitter and their surrounds.
                                                                                                                                 The  Orange  Scarf  was  completed  in  2012  after
                                                                                                                                 reworking a previous portrait Gillespie was unhappy
                                                                                                                                 with.  Her  intention  was  to  capture  the  sensitivity,
                                                                                                                                 intelligence and femininity of the sitter. The whole
                                                                                                                                 image  seems  to  grow  out  of  the  paint,  the  bold
                                                                                                                                 colour of the scarf complementing the sitter’s hair
                                                                                                                                 colour, while the combination of colours has a very
                                                                                                                                 Scottish fl avour.
                                                                                                                                 The  portrait  of  Whaler  Jimmy  was  completed  on
                                                                                                                                 site in a coastal community where a small group
                                                                                                                                 of fi shermen's huts sits quietly on the shore. Gillespie
                                                                                                                                 became  interested  in  the  site  and  worked  on
                                                                                                                                 a  number  of  drawings  and  paintings  there.  This
                                                                                                                                 allowed  her  to  get  to  know  the  fi shermen  and,
                                                                                                                                 in  particular,  one  old  whaler  who  had  lots  of
                                                                                                                                 interesting  stories  to  tell  about  his  life  at  sea.  The
                                                                                                                                 painting  was  done  quite  quickly  because  within
                                                                                                                                 the hut there was very little light and also because
                                                                                                                                 the sitter was unable to keep still for very long due
                                                                                                                                 to a back injury. Using a palette knife, the surface
                                                                                                                                 of the painting has been left deliberately rough as
                                                                                                                                 this seemed appropriate to the character and life
                                                                                                                                 of the sitter.
                                                                                   Left: The Orange Scarf, 2012,                 JEAN GILLESPIE graduated from with a BA (Hons) Degree in
                                                                                   Oil on Canvas.                                Drawing and Painting at Edinburgh College of Art (2001) after
                                                                                   h: 125cm w: 80cm d: 24cm,                     which she completed a Postgraduate Diploma in Drawing
                                                                                   Private Collection.                           at Wimbledon School of Art (2003). During her studies there
                                                                                                                                 Jean won a scholarship with Art Space Portsmouth, where
                                                                                   Right: Whaler Jimmy, 2012,                    she spent a year working and teaching on their Education
                                                                                   Oil on Canvas.                                Programme. After this she travelled and worked in China for
                                                                                   h: 66cm w: 66cm d: 24cm,                      3 years and now lives and works in Edinburgh. Her work is
                                                                                   Private Collection.                           now in private collections internationally.












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