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“The second painting was ‘Elysian Fields’. Again, the landscape influences the composition
                with rectangular field shapes interlocking and a break between land and sky. The autumnal
                colours are a simple metaphor for the end of the day/life.
                I felt the relevance of the Elysian Fields as a place where the Greeks believed their heroes
                would spend eternity fitted with the theme of the exhibition.....


















                                                                              “ ...finally, I included ‘Islands’ as
                                                                              an antidote to the other two as it is
                                                                              about communicating. Two flag-like
                                                                              shapes interact amongst a starry
                                                                              universe, if they don’t then they are
                                                                              just lonely islands in the emptiness.
                                                                              It is an anti-isolation, anti-war
                                                                              painting. It is about love.”


                                                                              written by Ian Fallace for Bridewell
                                                                              Studios Liverpool (blog)
                                                                               www.bridewellstudiosliverpool.org
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