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Jonathan Newey Berkshire, United Kingdom, Turmoil, acrylic, 80 x 80 cm (31 x 31")
                  Third Prize is a one-page editorial feature in American Art Collector magazine

        My Inspiration            pencil sketches to sort out composition   middle. After priming the canvas, I paint
        My paintings have always been inspired by   and shape and then produced a number   napthol crimson over the canvas and allow
        nature. Animals, landscapes and the weather   of colour sketches using oil pastels on   it to dry and then pour on acrylics diluted
        have been a major part of my work for most   paper. I experimented with different colour   with an acrylic polymer and water to the
        of my life. My abstract work draws on a way   combinations using coloured card and felt   desired consistency. The first colours to go
        of looking at nature both in a different way   tips. A black pen is helpful to adjust the   on are napthol crimson and titanium white.
        and from a different perspective; either up   pattern and texture. The oil pastels help   These have the consistency of double cream,
        close under a microscope or zoomed out   me produce a softer colour sketch, which   which will bleed more by spraying with
        satellite photographs of earth from space.   in turn helps me visualize the more fluid,   water. Whilst these are wet I drop in small  As with conversations, artists sometimes slip into visual clichés. OK. —Harley Brown
        Photographs of the cosmos taken from the   finished painting. I produce three different   amounts of household gloss black and white
        Hubble Telescope have also influenced my   sizes of paintings and sometimes do smaller   paint, which spread rapidly, but due to their
        abstract painting. I have also used patterns    versions before painting the larger pieces.   solvent base do not mix with the acrylic
        I see in tree bark, old wood, rust and stone for   This time I decided to go straight for the   achieving a marbled effect. I then wait at
        ideas and all of this comes together to help me   large size at 80 by 80 centimeters.  least a week for the painting to dry.
        with composition and colour balance.
                                  My Working Process        Contact Info
        My Design Strategy        I stretch the canvas over a board that has
        Using earth from space as inspiration,    3-centimeter battens attached to the back     » Email: jnewey210@gmail.com
        I started with some simple black and white   to prevent the paint from pooling in the     » Website: www.jonathannewey.com



                                                                           Art Challenge  7


   Challenge Winners 110.indd   7                                                 6/29/16   4:01 PM
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