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be done privately, while watching TV,   Diversity from the   caring what others think, it’s us at that
        sketching from the parked car, or observing   Same Subject  moment. Doing a photographic finish or
        people walk in and out of the grocery store   There is one model I drew and painted at   a wild dabbler on canvas, that’s us at that
        or standing in front of a concert hall. It   least 50 times. Here’s the best part, each   point in time. It’s sometimes called: “finding
        strengthens observations and understanding   work is totally different, partly because of   ourselves.”
        of the three-dimensionality of real life. It   me but mostly because of her.   For years, I studied at great colleges and
        brings out much in understanding nature’s   There are a multitude of artists who sang   with talented artists. Finally, a mentor came
        aesthetics. It added in so many ways to   Mack the Knife. We remember only those we   up to me and said, “Sure, you’ll always be
        my drawing and painting from life or   want to hear again. Lesson: Be yourself. Like   learning, but now do something with it.”
        photographs. Remember, almost nothing is   Satchmo and Bobby D.  That learning period of my career was
        ever too late to do.                                intense and there were a few slightly
                                  The Parts of the Whole    different “Harleys” popping up on canvas.
        Compositions              A book, a song, a symphony, a film all have   But then, as the years went by, I felt stronger
        Have good composition with values right   various parts, but together making the   about what I was doing and not whether
        and you’re almost home.   whole. The parts vary just as in painting.   I was better or different from other artists.
                                  It’s up to us to unify those variable parts.   I wasn’t thinking, “What’s Harley going to
        Knowing Your Art          Think of Beethoven’s 9 . Think of Repin’s   do here?” Not even really conscious of who
                                              th
        As you become a master, there’ll be a large   Religious Procession in Kursk Province. It’s in   “Harley” is. I’m free of wondering. Now
        part of your artistic life when you will know   the Tretyakov Gallery, Moscow. My friends   I’m comfortable with being whoever “me” is
        that you are purely right in what you do. It   and I saw the original painting and couldn’t   when doing art.
        is payback for all the years.   leave it. We told our tour bus to go ahead;   Let me put it another way: when I’m with
                                  we’d somehow catch up.    a group of people, I don’t continually think:
        Seeing Beauty                                       now what should I say and how should
        Actually, the older I get, the more I see   Keeping Aesthetic  I say it? After years and years of jabbering,
        beauty. Even in my curmudgeon moment,   Continual and intense observations are the   at times self-consciously, I now let it flow
        beauty has always been there, just waiting to   fire that keeps the aesthetic kettle boiling.  freely. As I do with pencil and brush.
        be found.                                            It sometimes takes a while, but all of
                                  The Sum of Each Moment    us eventually find ourselves. We’ll all be
                                  Whether we are trying to impress, or not   there…waiting.
        BALINOFSK I




        I fully understand what Harley is saying about being ourselves; that we’ll
        eventually emerge strong from the maze. From my early days, I didn’t
        care what others thought of me. I was isolated and painted for the pure
        pleasure of putting oil on canvas. I was totally self-absorbed; art was my
        life. Like Harley, there were times I visited the masters who helped keep
        me on track with where I wanted to go; how to understand what I was
        seeing while putting myself into a painting.
         This piece is Opening Night. A portrayal of the most self-composed
        person I had ever met. She spoke little and every word she said had me
        mesmerized. In fact, I was rather numbed except for my hand laying on
        colors and strokes. My head seemed somewhere else. She left and I hit
        the bed, exhausted. The next day, I walked into the studio and saw the
        painting. I nearly collapsed because I hardly remembered doing it. But
        even stranger, I fell in love with the woman in the portrait.
         With your finger, block out her eye and eyebrow. What you see is a flat
        profile, no character. Now, take your finger away and see her individuality
        radiate, giving her a magnificence. Little things can mean a lot.




                                                                   Important Principles of Art  143


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