Page 38 - Winter Issue
P. 38

New Ritual Vessels


             This series of work aims to explore how to position representative ceremonial vessels from traditional Chinese culture in
             a contemporary context. Specifically, I will select ceremonial vessels that embody a unique Eastern spirituality and use
             their forms as a base to combine with artistic elements from other civilizations or cultures. Additionally, I will integrate
             imagery of the female body into the designs. For these two particular pieces, they incorporated the appearance of a type
             of  ancient  Roman  pottery:  terra  sigillata.  For  materiality,  I  use  low-fired  earthenware  ceramics  and  adhere  to  hand-
             building ceramic techniques. Innovating in surface finishing by abandoning traditional glazes or slips. Instead, I decorate
             the surfaces with Urushiol lacquer (a natural tree sap from East Asia) and polishing wax.
                                              New Ritual Vessels: Tripod Hill Censor
             This work is a ceramic sculptural object that pays homage to a traditional Chinese vessel form — the hill censer, which can be used for
             burning incense as a ceremonial vessel.
             The hill censer ( 博⼭爐, "universal mountain censer") is a type of Chinese censer traditionally made of bronze. When incense is burned,
             smoke  drifts  out  from  the  mountain-shaped  lid,  symbolizing  the  Chinese  cultural  aspiration  for  sacred  mountains  inhabited  by
             immortals.
             As a ceramic artist, I am fascinated by the rich history of ceramics across different cultures around the world, which provides me with
             endless  inspiration.  I  am  particularly  struck  by  the  red-gloss  wares  of  ancient  Rome  (sometimes  referred  to  as  Terra  sigillata)  and
             ancient  Greek  pottery.  These  demonstrate  that  ceramics  can  achieve  a  glossy  sheen  even  without  glaze,  which  contrasts  with  the
             extensive use of glazes in the Chinese ceramic tradition. On the other hand, the tripod form has been widely used in vessels throughout
             Chinese and other civilizations. I associate this form with the curves of the female breast.





             Black Shoulder Tripod Jar                                                          Tripod Hill Censor
             Lacquer and wax on earthenware                                           Lacquer and wax on earthenware
             42x23x22cm, 2024                                                                   42x23x22cm, 2024







































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