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Paul Gorman
             Lives and works in Taunton, UK
             www.paulgorman.net
             Paul Gorman’s practice revolves around the exploration of
             human vision through photography, looking at themes such
             as perception, phenomenology, light, objects, and nature's
             way of healing and nourishing Man.
             Gorman uses photography as a way of representing these
             ideas  and  uses  multiple  exposures  to  suggest  how  new
             perceptions  merge  with  existing  ones.  Through  theories
             about perception, vision and light, the work explores how
             the build-up of knowledge through the senses can create a
             more accustomed account of the relationship we have to
             the external world.
             Gorman’s work is deeply associated with themes of a more
             photographic  nature,  experimenting  with  techniques  that
             are inherent within the medium, incorporating many of the
             techniques that allow a photograph to be created.

             A contact print is made by the fi lm being in contact with
             the photographic paper, which is suggestive of the sense of
             touch that needs to happen in order to see, and the camera
             to depict. Lith Printing was used as a method to exaggerate
             the grains in the dark areas and create smooth highlights.
             This was a conscious effort to challenge the material nature
             and the use of chemicals that is becoming less apparent.
             He is also interested in the way we are drawn to photographs
             as close representations of the real world and their evidently
             transparent  effect.  By  incorporating  all  these  different
             effects Gorman’s images challenge what we know about
             the world through vision, which consequently reconstructs a
             challenging and stimulating impression on the viewer.

             Impression  investigates  Phenomenology  -  the  structure  of
             different forms of experience including perception, thought,
             memory, imagination, emotion and desire. Through the use
             of  multiple  exposures  the  work  depicts  joining  together,
             combination and amalgamation of many different images
             of the same object, the way knowledge is built up through
             perceiving. This layering also allows Gorman to capture all of
             the available light and shadow from the landscape, which
             merges together to create images that are both beautiful
             and  mysterious.  The  images  are  created  to  intentionally
             direct your attention to something in the world.
             PAUL GORMAN has exhibited work in a number of group exhibitions,
             including;  Unexposed,  Artsway  Gallery,  Sway,  Dorset,  UK  (2013),
             Noeme,  Underground  Gallery,  Charing  Cross,  London,  UK  (2012),
             Open  Show,  Bridge  Creative  Studio,  London,  UK  (2012),  Round  the
             Landscape,  Crescent  Gallery,  Bath  Place,  Taunton,  UK  (2011)  and   Above: Impression#1, 2013, Photography.
             Paradalia (AUCB Degree Show), The Old Truman Brewery, Brick Lane,   h: 7cm w: 6cm, Artist’s Collection.
             London, UK (2011).
                                                          Right: Impression#2, 2013, Photography.
                                                          h: 7cm w: 6cm, Artist’s Collection.












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