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Torus Torus Studios









             Torus Torus Studios is the collaborative practice of Colin Rennie and Alexandra Carr. Our practice is drawn
             from the synergies and resonances that emerge from interacting with ideas from fields as diverse as sacred
             geometry, light and optics, ecology, consciousness and a breadth of sciences. We came together over our joint
             understanding that there is a commonality in the modes of expression between science and art, between the
             humanities and rationalism, between dualism and monism. Our work is often complex and detailed, wrought
             from careful exploration of the possible forms that can emerge through the interaction of pure expression and
             considered design. Taking part in the making and engineering of elements in order to realise projects is key to
             our methodology; we take ownership of our process applying care and skill at each step to be accountable for
             the coming-into-being of a work. Objects move and flow, emulating effortlessness but are underpinned by
             meticulous care and attention to detail. The “Human Being” in the moment of conscious creativity can touch
             ideas that transcend definition and boundaries, our work seeks to manifest these moments.



             Only Breath is a site-specific, kinetic sculpture at The Science Museum, London: The Energy Revolution Gallery. At the core of Only Breath
             lies  a  fusion  of  art  and  science,  incorporating  principles  of  biomimicry  and  renewable  energy  technology.  The  sculpture's  tessellating
             structure, derived from the voronoi algorithm and phyllotaxis spiral, mirrors the efficiency of organic forms, highlighting the importance of
             nature-inspired  sustainable  energy  production.  Comprising  of  23  moving  stainless  steel  frames  containing  92  windblown  native  timber
             panels,  including  timber  from  trees  felled  by  storm  Arwen,  the  sculpture  moves  slowly  and  gracefully,  initiating  from  an  almost
             imperceptible  start,  gradually  speeding  up,  then  slowing  again  to  an  almost  imperceptible  stop.  The  underside  of  the  panels  features
             subtle two-way mirrors reclaimed from a previous project, forming a concave lens reminiscent of solar arrays, reflecting and focusing on
             the viewer, inviting introspection amidst the gallery's dynamic atmosphere. The sculpture's cyclical movement, akin to natural phenomena
             such  as  blooming  flowers  and  circadian  rhythms,  encourages  contemplation  on  our  interconnectedness  with  the  environment.  From  its
             symbolic spiral motif to its innovative use of two-way mirrors, recycled, recyclable, and reclaimed materials, sourced locally to minimise
             environmental impact, the sculpture embodies the principles of holistic thinking advocated for in the Energy Revolution Gallery. Standing
             as a call to action for global environmental stewardship, Only Breath reminds visitors of the delicate balance we must maintain in our
             pursuit of a greener, more sustainable future. Our opportunity for de-carbonising energy systems is short but with imagination we can move
             toward a responsible energy future. Only Breath was commissioned by The Science Museum, London as the centrepiece of the Energy
             Revolution:Adani  Green  Energy  Gallery.  The  gallery  examines  the  rapid  energy  transition  and  decarbonisation  needed  globally  to  limit
             climate  change.  The  gallery  encourages  visitors  to  reflect  on  past  energy  transitions  and  the  pioneers  who  dreamed  what  might  be
             possible, while imagining the energy use that will shape our low carbon future.



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