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Torus Torus Studios
Torus Torus Studios is the collaborative practice of Colin Rennie and Alexandra Carr. Our practice is drawn
from the synergies and resonances that emerge from interacting with ideas from fields as diverse as sacred
geometry, light and optics, ecology, consciousness and a breadth of sciences. We came together over our joint
understanding that there is a commonality in the modes of expression between science and art, between the
humanities and rationalism, between dualism and monism. Our work is often complex and detailed, wrought
from careful exploration of the possible forms that can emerge through the interaction of pure expression and
considered design. Taking part in the making and engineering of elements in order to realise projects is key to
our methodology; we take ownership of our process applying care and skill at each step to be accountable for
the coming-into-being of a work. Objects move and flow, emulating effortlessness but are underpinned by
meticulous care and attention to detail. The “Human Being” in the moment of conscious creativity can touch
ideas that transcend definition and boundaries, our work seeks to manifest these moments.
Only Breath is a site-specific, kinetic sculpture at The Science Museum, London: The Energy Revolution Gallery. At the core of Only Breath
lies a fusion of art and science, incorporating principles of biomimicry and renewable energy technology. The sculpture's tessellating
structure, derived from the voronoi algorithm and phyllotaxis spiral, mirrors the efficiency of organic forms, highlighting the importance of
nature-inspired sustainable energy production. Comprising of 23 moving stainless steel frames containing 92 windblown native timber
panels, including timber from trees felled by storm Arwen, the sculpture moves slowly and gracefully, initiating from an almost
imperceptible start, gradually speeding up, then slowing again to an almost imperceptible stop. The underside of the panels features
subtle two-way mirrors reclaimed from a previous project, forming a concave lens reminiscent of solar arrays, reflecting and focusing on
the viewer, inviting introspection amidst the gallery's dynamic atmosphere. The sculpture's cyclical movement, akin to natural phenomena
such as blooming flowers and circadian rhythms, encourages contemplation on our interconnectedness with the environment. From its
symbolic spiral motif to its innovative use of two-way mirrors, recycled, recyclable, and reclaimed materials, sourced locally to minimise
environmental impact, the sculpture embodies the principles of holistic thinking advocated for in the Energy Revolution Gallery. Standing
as a call to action for global environmental stewardship, Only Breath reminds visitors of the delicate balance we must maintain in our
pursuit of a greener, more sustainable future. Our opportunity for de-carbonising energy systems is short but with imagination we can move
toward a responsible energy future. Only Breath was commissioned by The Science Museum, London as the centrepiece of the Energy
Revolution:Adani Green Energy Gallery. The gallery examines the rapid energy transition and decarbonisation needed globally to limit
climate change. The gallery encourages visitors to reflect on past energy transitions and the pioneers who dreamed what might be
possible, while imagining the energy use that will shape our low carbon future.
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