Page 172 - VOL 8
P. 172

Mithula Priyadarshini


             AnanthaRamakrishnan









             Mithula  is  an  artist  who  refuses  to  stay  inside  the  lines.  With  a  Bachelor’s  in  Visual  Arts  from  Stella  Maris
             College, India, and a Master’s in Fine Arts from Leeds Arts University, UK, she has shaped a practice that thrives
             on  experimentation  and  rebellion.  Constrained  by  limited  materials  during  her  undergraduate  studies,  she
             pushed boundaries by founding a startup that transformed everyday objects into customized art—from chalk
             carvings in glass bottles to radium-lit sculptures.
             Her postgraduate work exploded with creativity, blending found objects with themes from Indian mythology
             and  Hindu  culture.  One  of  her  standout  pieces—a  gold  shoe  left  outside  a  gallery—challenged  viewers  to
             reflect on materialism and mortality. Another, a coffin-shaped painting hung from the ceiling, gave audiences
             the haunting experience of their own death.
             Mithula’s experience extends beyond the studio. She has worked as an art director on movies and commercials
             in India, where she brought her unique vision to life in collaborative projects. Aspiring to become a full-time art
             director, she continues to hone her skills, merging her artistic sensibilities with storytelling and design.
             Deeply inspired by Salvador Dalí, Mithula infuses her art with metaphor, irony, and surreal layers. She is drawn
             to the overlooked beauty of insects and reptiles, questioning who decides what’s beautiful and what’s not. To
             Mithula,  art  isn’t  just  visual—it’s  poetic.  Her  work  invites  viewers  to  see  beyond  the  surface,  rethink  their
             assumptions, and experience something unexpected.

             ‘’To me, art is rebellion. It’s poetry without words, a way to challenge what we think we know. I create across mediums—
             found objects, carvings, paintings—because I believe every material has its story, and every story deserves to be told.
             My work is inspired by Indian culture, Salvador Dalí, and the beauty in things we often ignore. I ask: Why do we glorify
             butterflies and dismiss insects or reptiles? Who decides what’s beautiful? For me, beauty lies in the overlooked, the strange,
             the forgotten.
             I’ve extended this vision into film and commercials, working as an art director to bring my imagination to dynamic, visual
             storytelling. Combining fine art and cinematic design, I aim to create immersive worlds that challenge and inspire.
             My art isn’t here to replicate reality—it’s here to reimagine it. It’s surreal, layered, and unapologetically curious.’’



             172                                                                     EDEN.EXE - Digital Art, 29.7x21cm, 2024
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