Page 4 - TAG
P. 4

TAG - Tubes Artists Gallery are delighted to welcome the highly
                                    regarded art critic and author ‘Spike’ who has joined TAG from
                                    painters TUBES magazine.

                                    Spike’s article “abstract art - what’s so special about it?’ is the
                                    motivation for this special issue of Tubes Artists Gallery, TAG#4.

                                    This issue showcases both accomplished , acclaimed  and
                                    relatively unknown artists, all of whom create unique and
                                    authentic abstract paintings.


















                                                            abstract art
                                                               what’s so special about it?


                                                                       The inter-relationship of twentieth century
                                                                           poets, art critical thinkers, academics
                                                                              and practising artists, have
                                    contributed to what we now consider as Abstract painting.
                                    Without first re-reading and with concentrated study of all these
                                    considerable contributions, the total understanding of abstract
                                    art and its development is probably not possible for the casual
                                    art reader. The objective of this feature in TAG #4 is to give the
                                    reader a sort of base-line for some of the reasoning behind the
                                    choice of artists that create abstract paintings and to highlight
                                    how contemporary art fits within contemporary society.


                                                   An argument that could be made is that all Art is
                                                             abstract by its very nature. What we see, as
                                                                individuals, is as different as we
                                                                 are from each other, therefore what we
                                                                see is only one reality. With figurative (realist)
                                                         art there is a commonality of course. A tree, in
                                    real life or painted on canvas, is still a tree and we all can
                                    recognise it as such (refer to René Magritte - the treachery of
                                    images series of paintings (1928-1929). Even an abstracted tree
                                    (invented by the artist) is still a tree to the viewer of the image
                                    that has been invented and visualised by the artist.


                                    So what is abstract art and what is not abstract art? As Magritte
                                    suggested, it is patently subjective. Quantifying contemporary
                                    abstract painting is therefore a task of complexity. From an
                                    historical viewpoint, there is no obvious starting point, no
                                    middle and no ending that adequately provides the reader with
                                    a definitive road map of its development.
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