Page 10 - TAG
P. 10

Liz Doyle

        It is difficult not to become excited about Liz’s work. Her energy
        is infectious and this energy is transferred into her abstract
        paintings. The painting on the front and back cover of TAG#4
        is a perfect demonstration of what I am talking about. The
        work is 2000mm wide and1000mm high, the size of the work
        is impressive. The impact of the variable toned red base with
        the yellow and blue emerging from the colour field gives both
        dimension and perspective. The blue seems to be arrived in
        the foreground whereas the yellow is slowing passing on into
        the distance as the small blue square rests on the ground as
        if it were an anchor. Liz has carved her initials in the small
        heart shaped blue mark (to the right of the painting) to claim
        the authorship of this unique piece of work.  All Liz’s paintings
        are strong, both in colour, tonal differences and all have the
        power of her assertive manner of how she handles the paint
        application on the surface. Using oil paint and cold wax gives
        the artist a textured finish to her work and enables her to
        ‘scratch’ instinctive marks into the medium which gives her the
        opportunity to develop the work with a final burst of creative
        energy.

        Here is what Liz has to say about her most important
        influences...

        “...my abstract works are an exploration, both of my materials
        and my surroundings and my experiences.
        Of course my choices (of materials and colours and
        composition) are also the product of the influences I feel from
        the works of all the ‘Greats’ that have gone before us. When
        I think about painting, my inner eye turns most frequently to
        favourite works I have seen by Richard Diebenkorn, Robert
        Motherwell, Lee Krasner, Helen Frankenthaler, Antoni Tapies
        and even further back to Pablo Picasso, Paul Cezanne and
        J.M.W.Turner, and that to mention just a few.”

        Liz lives on Cruit Island in County Donegal and paints in an
        converted stable which is now her studio. She has exhibited
        widely in solo and group shows throughout Ireland since
        moving there  in 2007. Her work is in private collections in
        Ireland, the UK, Europe, Australia and the USA. Recently her
        work was shown as the Miami Art Fair (see photograph from
        Mark Borgi Fine Art. Liz also exhibits at The Doorway Gallery,
        Dublin (www.thedoorwaygallery.com ) The Velvet Easel,
        Edinburgh (www.velveteasel.co.uk) And in County Mayo at the
        Green Fuse Gallery (www.greenfuse.ie)

        You can find out more about Liz and her work at www.
        donegallizdoyle.com Social media sites: Instagram @
        lizdoyleartist On Twitter @lizleindoyle



        Photograph above right: Liz in NYC outside the Gallery.
        Painting opposite page right:  “Blue Pour over Mountain Scene”
        Oil and cold wax on Birch Panel. 600mm x 600mm.
        painting right: “Peripheries” Oil and cold wax on linen-canvas.
        1000mm x 2000mm (shown on TAG front and back page page
        as a reversed image with special the permission of the artist).


        Photographs and images grateful thanks and
        acknowledgements to: Vincent O’Donoghue at Green Fuse
        Gallery.- www.greenfuse.ie  and  Mark Borghi Fine Art, New
        York, USA. -  www.borghi.org
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