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Artistic Insights


                              .com    One of the things we enjoy most at International Artist is receiving new stage-by-
                                      stage demonstrations by artists whose works and processes then fill the pages of this

         Issue 110  August / September 2016   magazine. There are subjects and styles that are the same, but every story told with the
         Vincent Miller Publisher/Editor-in-Chief  work is truly individual. This comes across not only in the way the artist manipulates
         EDITORIAL                    their chosen medium, but also through their
         Joshua Rose Editor
         editor@internationalartist.com  inspirations and the reasons why they are painting.   Subscription comes with

         Rochelle Belsito Managing Editor  In this issue alone there are five articles focused on   Money-Back
         assistanteditor@internationalartist.com
         Michael Clawson Contributing Editor  oil painting, six dedicated to watercolor, two artists   Guarantee
         Justine Page Contributing Editor  working in pastel and one presenting a mixed-media   (see pages 129/130)
         PRODUCTION                   piece. And no two articles are the same. From the   •  More articles for your money.

         Adolfo Castillo Multi Media Manager  planning process to the finished artwork, every   •  Count the pages yourself.
         Tony Nolan Art Director      method the artists use is derived from their own   •  More like a book than a magazine.
         Audrey Welch Graphic Designer
         Kevin King Junior Designer   experiences in painting—all of which are shared with
         SUBSCRIPTIONS                you in the pages of this magazine, issue after issue.
         Emily Yee Subscription Manager  Take for instance the work of watercolorists Susan Crouch and Chris Beck, who are
         service@internationalartist.com
         Robyn Carson Accounts        featured in this magazine. They are using the same medium, but in two completely

                                      different ways. Crouch paints spontaneous yet controlled pieces that are at once realistic
         Address all correspondence to our local office for your
         country, see Contents page. For subscription prices for your   and interpretive. Beck’s work is realistic with crisp edges and tons of details. Yet, regardless
         country or region see pages 129-130.
                                      of what medium you paint in or what style you prefer, there is insightful information to
         INTERNATIONAL ARTIST (ISSN 1440-1320)
         Published 6 times a year by International Artist Publishing   glean from both articles, and each one we include in every new edition.
         Inc. Suite 105, 7530 East Main Street, Scottsdale, AZ 85251   If you’re interested in sharing your own artistic process, send me an email at
         Telephone (480) 425-0841
         Website: www.internationalartist.com   editor@internationalartist.com. We are always happy to hear from you.
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         Artist is copyright. Reproduction in whole or part is
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                                      Editor
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                                                                           Editor’s Letter  1
   Editors letter 110.indd   1                                                    6/29/16   3:44 PM
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