Page 112 - Winter Issue

Existential inquiry is a key aspect of your work. Can you share some of the questions or ideas that drive
this inquiry, and how they appear across your different pieces?
I’m drawn to questions like What shapes who we are? or How do our experiences mold our sense of purpose? These
ideas come through in my work with layers, contrasts, and unexpected connections between forms, and I hope each
piece stirs up a sense of curiosity.
Your art often blends abstract elements with concrete forms. How do you find the balance between these
two, and what effect do you hope this duality has on viewers?
Finding the balance between abstract elements and concrete forms is crucial for me and one of the most fascinating
parts of creating art. It’s like weaving together the familiar and the mysterious, creating layers that viewers can interpret
in their way. This balance lets the work unfold gradually, inviting people to look closer and find new meanings, whether
they’re drawn to the shapes, the contrasts, or the space in between. For me, that blend is where the real magic happens.
You describe your process as a balance between intuition and experimentation. What does this process
look like day-to-day, and how do you embrace unexpected outcomes?
I experiment a lot—that’s where the real joy of creating comes from. Keeping multiple projects going at once lets me shift
focus whenever I get stuck, so there’s always fresh energy. The best part is when I stumble onto something big that I
never expected at the start—it’s those surprises that make the process so rewarding.
Modern culture and the natural world deeply influence your art. Are there specific cultural trends or
natural motifs you’re currently exploring?
Right now, I’m fascinated by the intersection of technology and nature—how our digital age reshapes our relationship
with the natural world. I’m exploring themes like isolation in modern life and how technology both connects and
distances us. These contrasts come through in my work, with traditional painting capturing one side and multimedia
installations expressing another. Working across these different mediums helps bring out the complexity of these ideas
in distinct ways.

Through your art, you aim to provoke introspection
and self-awareness. What do you hope viewers
contemplate about their own lives when engaging
with your work?
Honestly, my goal is to spark a bit of inner reflection in
viewers. I hope my work gives people a moment to pause
and think about their own experiences, perspectives, and
those quiet, often-overlooked moments that shape who they
are. If my art helps someone connect with their own story or
recognize a part of themselves in the piece, then I feel like
I’ve done something meaningful. It’s all about inviting a
sense of self-awareness and curiosity.
As you continue evolving your style and technique,
are there new themes or media that you’re
particularly excited to explore in upcoming projects?
That’s always been my thing—I love to challenge myself and
try something new. Right now, I’m working on a large
multimedia installation that incorporates video art, along
with a new series of traditional paintings. Juggling both
projects keeps me productive and motivated. It’s exciting to
explore how these different mediums can interact and
influence my vision, even though they’re two distinct
projects. Each brings its own set of challenges, inspirations,
and joy.

RS-5
Acrylic on canvas,
35x24cm, 2024

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