Page 23 - For the purpose of this essay when I refer to ‘spirit’ ‘devine’ or ‘spirituality’ I am referring
P. 23
Bibliography
1. ASHDON, DORE (1996) Twentieth Century Artists on Art, New York, Pantheon.
2. BELL, J (1999) What is Painting? Representation and Modern Art, London,
Thames and Hudson.
3. CAWS, MARY A. (2000) Manifesto: A Century of isms, Lincoln: University Of
Nebraska Press.
4. FULLER, PETER (1985) Images of God: The Consolidation of Lost Illusions,
London, Chatto and Windus.
5. HARRIES, RICHARD (1993) Art and the Beauty of God, London, Mowbray.
6. HARRIES, RICHARD (2004) The Passion in Art, Aldershot, Ashgate.
7. HEDERMAN, MARK P. (2001) The Haunted Inkwell, Dublin, Columbia.
8. KUDIELKA, ROBERT (1999) The Eye’s Mind: Bridget Riley Collected Writings
1965-1999, London, Thames and Hudson.
th
9. LIPSEY, ROGER (1998) An Art of Our Own: The Spiritual in 20 Century Art,
Boston and Shaftsbury, Shambhala Publications, Inc.
10. MOULIN, RAOUL-JEAN (1969) Prehistoric painting, New York, Funk &
Wagnalls.
11. MURPHY, ANNE M. and EOIN, G. CASSIDY (1997) Neglected Wells:
Spirituality and the Arts, Dublin, Four Courts Press.
23
