Page 8 - LandEscape Interview
P. 8

E   scape                                        Paul McCloskey

     Land
































        The Omega (Awakenings 3D Violet 2) - oil on board



        an interview with
        emerging  landscape,  almost  as  if  witnessing  its
        creation, its birth, its expansion and ultimate con-
        traction, from the beginning to the end, the alpha
        and   omega,   representing   for   me   the   internal
        struggle,   between   the   conditioned   and   the   divi-
        ne/spiritual self.
         https://www.paulmccloskey.ie/3d.html

        A feature of your works that has mostly impac-
        ted on me is the deep involvement that you have             Awakening Reloaded blue and gold – oil on canvas
        been capable of establishing with the viewer: I
        really think that your Art encourages us to find
        and   feel   beauty...   I'm   sort   of   convinced   that
        some information  & ideas  are hidden, or  even             reminders or signs point in the direction of this
        "encrypted"  in  the  environment  we  live  in,  so        truth  and  that  is  where  the  deep  involvement
        we need -in a way- to decipher them. Maybe that             comes from, a recognition of truth from both the
        one of the roles of an artist could be to reveal            artist  and  the  viewer,  the  creator  and  the
        unexpected   sides   of   Nature,  especially   of   our    observer, the dance and the dancer, then become
        inner Nature... what's your point about this?
                                                                    one. But this circle can only be complete when
        Absolutely I agree the role of the artist is to remind      the viewer is open to seeing/feeling.
        us,   perhaps   to   present   with   fresh   eyes   what   we
        already  knew  but  have  forgotten.  Indeed  the  key      Indeed the artist must also take this responsibility
        word here is ‘feel’ using a subject such as landscape       to observe the work outside of himself, as once
        as  the  catalyst  for  the  initial  transaction  between    the work is completed the artist must relinquish
        onlooker and the work, but they are only reminders          that connection and also become a witness to it.
                                                                                   #196 Winter
        that all is one and from the same source, these             As you have remarked in your artist's state-

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