Page 8 - LandEscape Interview
P. 8

E   scape                                        Paul McCloskey

     Land
































        The Omega (Awakenings 3D Violet 2) - oil on board



        an interview with
        emerging  landscape,  almost  as  if  witnessing  its
        creation, its birth, its expansion and ultimate con-
        traction, from the beginning to the end, the alpha
        and  omega,  representing  for  me  the  internal
        struggle,  between  the  conditioned  and  the  divi-
        ne/spiritual self.
         http://paulmccloskeyart.com/3d.html

        A feature of your works that has mostly impac-
        ted on me is the deep involvement that you have             Awakening Reloaded blue and gold – oil on canvas
        been capable of establishing with the viewer: I
        really think that your Art encourages us to find
        and  feel  beauty...  I'm  sort  of  convinced  that
        some information & ideas are hidden, or even                reminders or signs point in the direction of this
        "encrypted" in the environment we live in, so               truth  and  that  is  where  the  deep  involvement
        we need -in a way- to decipher them. Maybe that             comes from, a recognition of truth from both the
        one of the roles of an artist could be to reveal            artist  and  the  viewer,  the  creator  and  the
        unexpected  sides  of  Nature, especially  of  our          observer, the dance and the dancer, then become
        inner Nature... what's your point about this?
                                                                    one. But this circle can only be complete when
        Absolutely I agree the role of the artist is to remind      the viewer is open to seeing/feeling.
        us,  perhaps  to  present  with  fresh  eyes  what  we
        already knew but have forgotten. Indeed the key             Indeed the artist must also take this responsibility
        word here is ‘feel’ using a subject such as landscape       to observe the work outside of himself, as once
        as the catalyst for the initial transaction between         the work is completed the artist must relinquish
        onlooker and the work, but they are only reminders          that connection and also become a witness to it.
                                                                                   #196 Winter
        that all is one and from the same source, these             As you have remarked in your artist's state-

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